المراجع:
-1 إتدددددددون، جدددددددورج. ) 2٠٠2 (. کیمیددددددداء التصدددددددویر
الفوتدوغرافی للفدیلم الأبدیض والأسدود والفدیلم الملدون
)ترجمدة: سدعد عبدد الدرحمن(. الهیئدة المصدریة العامددة
للکتاب: ج.م.ع.
-2 راضددی، مدداهر. فددن الضددوء. منشددورات وزارة الثقافددة-
.2٠٠5 ، المؤسسة العامة للسینما، سوریا، الفن السابع 91
3- Andersson, B and Geyen, J. (2012). The
DSLR Filmmakers Handbook: Real-World
Production Techniques. Sybex: Canada.
4- ARRI Lenses, Consistency, Choice,
Creativity.(2014).http://www.Kino.camera/ca
t/arri-lenses-brichure.pdf.
5- Image Sensor Architectures for Digital
Cinematography.
http://www.teledynedalsa.com. DOI:03-70-
00218-01.
6- James, J. (2006). Digital Intermediates for
Film and Video. Focal Press: Oxford.
7- Jeppsen,M.(2010).RED Epic vs. ARRI
Alexa Dynamic Range Charts. www.
provideocoalition.com.
8- McCann,J. (2005). Perceptual rendering of
HDR in painting and photography. In human
Vision and Electronic Imaging
conference.Vol.6806.
9- Salvaggio, N. (2008) . Basic Photography
Materials and Processes. Focal Press: UK.
10- Stump, D. (2013). Digital
Cinematography: Fundamentals, Tools,
Techniques, and Workflows. ASC, Focal
Press: UK.
11- Titus, H. (2001). Imaging Sensors: that
Capture your Attention. Kodak co, NY.
12- Ultra 16 Lenses: A Complete set of
Modern Super 16 High Speed Primes.
(2008).
www.nocinc/filmdigital/commen/pdf/ultra
16.catalog.pdf
13- www.panavision.com.
14- www.red.com/learn/red-101/hdrx.
Journal of Applied Art and Science - International Periodical Scientific Peer Reviewed - Issued By Faculty of Applied Arts - Damietta Univ. - Egypt
340
المراجع:
-1 إتدددددددون، جدددددددورج. ) 2٠٠2 (. کیمیددددددداء التصدددددددویر
الفوتدوغرافی للفدیلم الأبدیض والأسدود والفدیلم الملدون
)ترجمدة: سدعد عبدد الدرحمن(. الهیئدة المصدریة العامددة
للکتاب: ج.م.ع.
-2 راضددی، مدداهر. فددن الضددوء. منشددورات وزارة الثقافددة-
.2٠٠5 ، المؤسسة العامة للسینما، سوریا، الفن السابع 91
3- Andersson, B and Geyen, J. (2012). The
DSLR Filmmakers Handbook: Real-World
Production Techniques. Sybex: Canada.
4- ARRI Lenses, Consistency, Choice,
Creativity.(2014).http://www.Kino.camera/ca
t/arri-lenses-brichure.pdf.
5- Image Sensor Architectures for Digital
Cinematography.
http://www.teledynedalsa.com. DOI:03-70-
00218-01.
6- James, J. (2006). Digital Intermediates for
Film and Video. Focal Press: Oxford.
7- Jeppsen,M.(2010).RED Epic vs. ARRI
Alexa Dynamic Range Charts. www.
provideocoalition.com.
8- McCann,J. (2005). Perceptual rendering of
HDR in painting and photography. In human
Vision and Electronic Imaging
conference.Vol.6806.
9- Salvaggio, N. (2008) . Basic Photography
Materials and Processes. Focal Press: UK.
10- Stump, D. (2013). Digital
Cinematography: Fundamentals, Tools,
Techniques, and Workflows. ASC, Focal
Press: UK.
11- Titus, H. (2001). Imaging Sensors: that
Capture your Attention. Kodak co, NY.
12- Ultra 16 Lenses: A Complete set of
Modern Super 16 High Speed Primes.
(2008).
www.nocinc/filmdigital/commen/pdf/ultra
16.catalog.pdf
13- www.panavision.com.
14- www.red.com/learn/red-101/hdrx.
Journal of Applied Art and Science - International Periodical Scientific Peer Reviewed - Issued By Faculty of Applied Arts - Damietta Univ. - Egypt
340
المراجع:
-1 إتدددددددون، جدددددددورج. ) 2٠٠2 (. کیمیددددددداء التصدددددددویر
الفوتدوغرافی للفدیلم الأبدیض والأسدود والفدیلم الملدون
)ترجمدة: سدعد عبدد الدرحمن(. الهیئدة المصدریة العامددة
للکتاب: ج.م.ع.
-2 راضددی، مدداهر. فددن الضددوء. منشددورات وزارة الثقافددة-
.2٠٠5 ، المؤسسة العامة للسینما، سوریا، الفن السابع 91
3- Andersson, B and Geyen, J. (2012). The
DSLR Filmmakers Handbook: Real-World
Production Techniques. Sybex: Canada.
4- ARRI Lenses, Consistency, Choice,
Creativity.(2014).http://www.Kino.camera/ca
t/arri-lenses-brichure.pdf.
5- Image Sensor Architectures for Digital
Cinematography.
http://www.teledynedalsa.com. DOI:03-70-
00218-01.
6- James, J. (2006). Digital Intermediates for
Film and Video. Focal Press: Oxford.
7- Jeppsen,M.(2010).RED Epic vs. ARRI
Alexa Dynamic Range Charts. www.
provideocoalition.com.
8- McCann,J. (2005). Perceptual rendering of
HDR in painting and photography. In human
Vision and Electronic Imaging
conference.Vol.6806.
9- Salvaggio, N. (2008) . Basic Photography
Materials and Processes. Focal Press: UK.
10- Stump, D. (2013). Digital
Cinematography: Fundamentals, Tools,
Techniques, and Workflows. ASC, Focal
Press: UK.
11- Titus, H. (2001). Imaging Sensors: that
Capture your Attention. Kodak co, NY.
12- Ultra 16 Lenses: A Complete set of
Modern Super 16 High Speed Primes.
(2008).
www.nocinc/filmdigital/commen/pdf/ultra
16.catalog.pdf
13- www.panavision.com.
14- www.red.com/learn/red-101/hdrx.