PhD in applied arts in interior design and furniture Lecturer, Department of Architecture, Faculty of Environmental Designs King Abdulaziz University Kingdom of Saudi Arabia
The art is the civilization of peoples; it is effective upscale creative that indicate the Promoted human level, which is a distinguished cultural form reflects the deep-rooted human characteristics, and circulating from one generation to another, and distinguishes the identity of peoples belonging to it, Islamic Art is considered a methods that determine our Arab identity, and if Arab nation is known by characteristics and history, so the art that produced by is an Arabic art , and the correlation of this art by Islamic identity means its close the Islamic religion, and the most important thing was characterized by Islamic art –wooden fillings - which is represented in the star& castle and Mafrokah, all marked only by Muslim artists; Muslims former left treasures of thosegeometrical units and formations and elements ; where varied fillingssurfaces in terms of technology andengineeringpolygonal paints which were varied in composition and execution, the Arab Islamic civilization is only, which focused on this art . The research problem is the following question: how we use the modern technology to maintain the aesthetics of this kind of Islamic art? It is also necessaryto the designer to get the foundations to have a full awareness to understand the aesthetic and formal and philosophyrelations of this art. The research aims to emphasize that the technological is one of the new tools that require from us well understood and utilized in a positive way in order to achieve what we want, and it whatever it developed the designer who has the control, which has the ability to mating and harmony between them and the art, and raw is the mediator material which is expressed and configuration of all methods of implementation, then the raw her vital role, the most important raw materials used in fillings is the wood ,which are of great importance among all raw materials; because of its aesthetics and diversity in shapes and colors and touch . The importance of this research being continue efforts on: the first use of modern technology in the implementation of this type of Islamic art, The Second is clarify the concept of the intellectual and philosophical roots that established the aesthetics of this art.
Ibrahim, Z. M. S. (2016). Cons of modern technologies in the implementation of Islamic wooden fillings and its impact
on the aesthetic values
(Comparative analysis). Journal of Arts & Applied Sciences (JAAS), 3(1), 20-34. doi: 10.21608/maut.2016.104751
MLA
Zakaria Mr. Said Ibrahim. "Cons of modern technologies in the implementation of Islamic wooden fillings and its impact
on the aesthetic values
(Comparative analysis)". Journal of Arts & Applied Sciences (JAAS), 3, 1, 2016, 20-34. doi: 10.21608/maut.2016.104751
HARVARD
Ibrahim, Z. M. S. (2016). 'Cons of modern technologies in the implementation of Islamic wooden fillings and its impact
on the aesthetic values
(Comparative analysis)', Journal of Arts & Applied Sciences (JAAS), 3(1), pp. 20-34. doi: 10.21608/maut.2016.104751
VANCOUVER
Ibrahim, Z. M. S. Cons of modern technologies in the implementation of Islamic wooden fillings and its impact
on the aesthetic values
(Comparative analysis). Journal of Arts & Applied Sciences (JAAS), 2016; 3(1): 20-34. doi: 10.21608/maut.2016.104751