The current era reflects the control of economy on various aspects of life, especially technical rivally and competition. Careful study of history reflects issues that faced the community and technical challenges that lead to the rise of different schools and interactions with the community. Throwing light on the new era of Minimalisation, which is considered by some as a new religion in designing, which emerged after the world war and industrial revolutions? It is one of the most important factors of innovation that pays more attention to the functional aspects of the product and its interaction with societies and different environments. Different communities and societies are now becoming a small village and this affects the direction of minimalisation. It also affects products in various ways, such as, function, color, material and methods of production. This leads to different new ideas that are worth studding and analyzing. The speed of development and The race of technological advancement and lead designers to think outside the box to keep up, which is clear in new designs to minimal time, raw material and method of production. Minimalism as a new direction pushed designers to research new materials, such as, nano technology, lasers, ergonomics and the rise of new renewable clean energy resources. All this, in addition to the Japanese theory of space designing enforced the new era of minimalism on every aspect of design. Minimalism has no rules, it depends on innovative thinking, this ultimately left out the Egyptian community because it depends more on following foreign designs, than actually creating a design that can compete in the race, here lies the real problem
القرآن الکریم. 2. المعجم الرائد: رابط الإنترنت: http://www.almaany.com/ar/dict/ar . ar/ 3. عماد فوزى شعیبى: مجلة جامعة دمشق، .2006 ،) المجلد 22 ، العدد ) 3،4 4. حسین عبد الفتاح الغامدی: مقالة بعنوان المدرسة السلوکی
5. خالد خلف محمد: الفن الاختزالی وأثره على تصمیم الأثاث، مجلة العلوم والفنون. 6. رشا صبحی مجید واسیل ابراهیم محمود، بحث مشترک، مدرسان بقسم الهندسة المعماریة، الجامعة التکنولوجیة. . 7. خالد السندیونی: رسالة ماجیستیر، 1998 . 8. هربرت رید: التربیة عن طریق الفن، ص 157 ، 9. هربرت رید: معنى الفن، ت: سامی خشبة، ط 2 . دار الشؤون الثقافیة العامة، بغداد ، 1986 ، ص 22 10 . محمود البسیونی: الثقافة الفنیة والتربیة ، ص .311-310 ، 11 . ادوارد لوسى سمیث : الحرکات الفنیة منذ 1945 . المجلس الاعلى للثقافة ، 1997 12 . محسن عطیة : القیم الجمالیة فی الفنون التشکیلیة ، . دار الفکر العربى 2000 13 . محسن عطیة : الفنان والجمهور،دار الفکر العربى، .2001 14 . نک کاى :ما بعد الحداثة والفنون الادائیة، الهیئة المصریة العامة للکتاب. 15 . نیکولاس رزبرج : توجهات مابعد الحداثة ، المجلس . الاعلى للثقافة ، 2002 16. Cabinet office. Government of Japan ، policy on cohesive society: fy2009 attitude survey on everyday life of elderly، items relating to behavior and attitude in everyday life (in Japanese) http: //www.8.cao.go.jp/kourei/ishiki/h21/sougou /zentai/pdf/p74-87.pdf 17. http://en.wikipedia.org/wiki/foundar
Yasser Ali maebad Farghaly, K. F. E. (2018). Analytical study of the Minimalism (Reductionism) Concept in Design. Journal of Arts & Applied Sciences (JAAS), 5(3), 15-34. doi: 10.21608/maut.2018.105566
MLA
Khaled Farouk El-Sendiony Yasser Ali maebad Farghaly. "Analytical study of the Minimalism (Reductionism) Concept in Design", Journal of Arts & Applied Sciences (JAAS), 5, 3, 2018, 15-34. doi: 10.21608/maut.2018.105566
HARVARD
Yasser Ali maebad Farghaly, K. F. E. (2018). 'Analytical study of the Minimalism (Reductionism) Concept in Design', Journal of Arts & Applied Sciences (JAAS), 5(3), pp. 15-34. doi: 10.21608/maut.2018.105566
VANCOUVER
Yasser Ali maebad Farghaly, K. F. E. Analytical study of the Minimalism (Reductionism) Concept in Design. Journal of Arts & Applied Sciences (JAAS), 2018; 5(3): 15-34. doi: 10.21608/maut.2018.105566