The strength of art lies in the extent to which it serves society and its ability to address the issues of its society, as art in its general sense, and the art of wall photography in particular has a close relationship between the artist and society, it is an art that is not only displayed in archaeological facilities or closed galleries, but is an art embodied on the walls in the streets and fields wherever the walls are found and art is found,  and the perception of the objective world of the image of women and his knowledge of their phenomena and forms in society is one of the important objectives of human society, and this is what falls aside. from interpreting that image on this research study. (Mahmoud, 2018)
Women in art have a deep presence that reflects the meaning of life and nature, as they have a variety of qualities that blend with the artistic idea that defines the aesthetic aspect in question, and in the light of the above can be referred to here for the symbolic movement in art, as the artist is no longer concerned with the realistic simulation of nature, it is not the purpose of symbolism clarity with idea or passion but thumb and ambiguity, it is the secret of the beauty of symbolic art as not a descriptive art but an inspiration revolving around an ideal idea expressed in realistic similarities as this is Similarities are a link between the absolute as a philosophical example and the perceptible world." (Al Wadi; Ebadi, 2011: 105)
From this point of view, the researcher is a model of women as an element of plasticity, and a singularity through which she can discuss some of the problems of life that women live and live with.
The researcher assumes that: -  the features of the body of women of flexibility and softness positively affect the design and implementation of sculptural works inspired by the movement of inspirational, research limits  : - research is limited to addressing: the body of women as a morphological individual in different dynamic situations, research approach: -  The researcher follows the experimental approach
The researcher presents the works and provides a brief explanation of them, in an attempt to clarify the extent to which women contribute by nature as a formative element  in enriching contemporary sculptures and from the results of the research that women are a formative element enriches works of art, especially sculpture because of its natural features, and contemporary sculpture has the ability to discuss the social issues of man