Benefiting from the Aesthetics of Ancient Egyptian Art in Developing contemporary Architectural Entrances and Gate. The era of the New Kingdom (1070:1570 BC).

Editorial

Authors

1 Master's student in the Department of Sculpture and Architectural Formation, Faculty of Applied Arts - Damietta University

2 Professor in the Department of Sculpture, Architectural Formation and Restoration, and Acting Head of the Department, College of Applied Arts Damietta University

3 Assistant Professor in the Department of Sculpture, Architectural Formation and Restoration and Acting Head of the Department, Faculty of Applied Arts - Damietta University

Abstract

Research Summary

The modern state era begins with the final expulsion of King (Hams) of the Hexus in 1570 AD. And its composition is the eighteenth dynasty. Then he was succeeded by King (Tahmus I), who restored the old Egyptian state its confidence and strength economically and technically, where the arts and industries were active, which some writers called this era the golden age. Ancient Egyptian art developed in the era of the modern state in general and prominent sculpture in particular, which is one of the aspects of civilizations and their expressive interface. We Sculpture came to express the political life with which doctrinal tendencies blended in most different ancient civilizations with art. Another type with a worldly idea of human life continued to develop, which is to record daily life or the victories of kings in battles and wars. Thus, ancient civilizations left many and many prominent sculptures to become existing art, starting How to develop the manifestations and connotations of prominent sculpture in the era of the modern state, this is to make a design model that goes in pace with contemporary art, using some of the decorative units that characterized sculpture in the era of the modern state. The research follows the analytical descriptive approach to review the technical characteristics of the modern state and awareness of the artistic elements and aesthetic values associated with the artistic connotations in the modern state. The experimental approach in making an experimental model of some architectural entrances in which the Egyptian identity is available and in line with the spirit of the times as well, using some sculptural and decorative architectural elements derived from the art of the modern state, where the research reached how to take advantage of the aesthetics of prominent sculpture in the modern state to devise contemporary plastic solutions to create architectural entrances
 
 
 
 
 

Keywords

Files

Share

How to cite

Statistics