Lecturer at Faculty of Arts and Design October University for Modern Sciences and Arts
10.21608/maut.2025.448035
Abstract
Abstract:-
This study investigates the evolving role of artificial intelligence (AI) in contemporary digital art, focusing on its interdisciplinary and postmodern dimensions. The central problem lies in the lack of critical frameworks that address AI not merely as a technical tool but as a co-creative agent that redefines authorship, artistic agency, and aesthetic boundaries. The research aims to explore how AI-driven art challenges traditional paradigms by integrating postmodern theories of fragmentation, hybridity, and decentralization. Through case studies of immersive works by Refik Anadol, Quayola, and Sougwen Chung, the study highlights how AI fosters hybrid creative processes and interactive audience experiences. These examples also raise ethical and legal concerns, including attribution, bias, and cultural appropriation. The significance of this research lies in its contribution to bridging the gap in scholarship on AI’s artistic agency and its impact on digital aesthetics. Key findings reveal that human-AI collaboration is reshaping creative practices and expanding interdisciplinary dialogue. The study recommends developing critical evaluative frameworks and ethical guidelines to ensure responsible integration of AI in artistic production. Ultimately, it positions AI as a transformative force in postmodern digital art, calling for a redefinition of creativity in the age of intelligent machines.
Anantrasirichai, N., & Bull, D. (2022). Artificial intelligence in the creative industries: Co-creation and aesthetic impacts. Journal of Visual Culture, 21(3), 347–364. https://doi.org/10.1177/14704129221129156
Borysova, S., Tytar, O., Stoliarchuk, N., Alforova, Z., & Tykhoniuk, O. (2024). Analysis of the impact of the digital revolution on creativity in contemporary art: Technological changes, interactivity and virtual aesthetics. Synesis, 16(1), 403–420.
Brown, A., & Sorensen, A. (2009). Integrating creative practice and research in the digital media arts. In R. Dean & H. Smith (Eds.), Practice-led research, research-led practice in the creative arts (pp. 153–154). Edinburgh University Press.
Condee, W. (2016). The interdisciplinary turn in the arts and humanities. Issues in Interdisciplinary Studies, 34, 12–29.
Cunningham, J. (2025). Painting in gray: The legal and ethical ambiguities of AI-generated art. Journal of Information, Communication and Ethics in Society, 23(3). https://doi.org/10.1108/jices-01-2025-0011
Earnshaw, R. A., Liggett, S., & Heald, K. (2013). Interdisciplinary collaboration methodologies in art, design, and media. Proceedings of the 19th International Conference on Information Visualization, 381–388.
Egon, K., Eugene, R., & Rosinski, J. (2023). AI in art and creativity: Exploring the boundaries of human-machine collaboration. https://doi.org/10.31219/osf.io/g4nd5
Keser, S. (2017). 20th century quest for new art and interdisciplinary approach. Global Journal of Arts Education, 7(2), 61. https://doi.org/10.18844/gjae.v7i2.1835
Kinoshita, Y. (2005). Postmodern interdisciplinarity. University of California, Santa Barbara.
McCarthy, K. F., & Ondaatje, E. H. (2002). The development of the media arts. In From celluloid to cyberspace: The media arts and the changing arts world (1st ed., pp. 28–30). RAND Corporation. http://www.jstor.org/stable/10.7249/mr1552rf.8
Siri, A., Olcese, G., & Spulber, D. (2024). Artificial intelligence and creativity: Anthropological, sociological and pedagogical reflections. Geopolitical, Social Security and Freedom Journal, 7(1), 1–19. https://doi.org/10.2478/gssfj-2024-0001
Steinheider, B., & Legrady, G. (2004). Interdisciplinary collaboration in digital media arts: A psychological perspective on the production process. Leonardo, 37, 315–321. https://doi.org/10.1162/0024094041724436
Szostak, R., Navakas, F., & Fiscella, J. (2007). Modernism, postmodernism, and interdisciplinarity. Issues in Interdisciplinary Studies.
Wingström, R., Hautala, J., & Lundman, R. (2022). Redefining creativity in the era of AI? Perspectives of computer scientists and new media artists. Creativity Research Journal. https://doi.org/10.1080/10400419.2022.2107850
Barakat, B. (2025). Postmodern Intersections: Exploring AI Interdisciplinarity in Contemporary Digital Art. Journal of Arts & Applied Sciences (JAAS), 12(3), 35-51. doi: 10.21608/maut.2025.448035
MLA
Basma Barakat. "Postmodern Intersections: Exploring AI Interdisciplinarity in Contemporary Digital Art", Journal of Arts & Applied Sciences (JAAS), 12, 3, 2025, 35-51. doi: 10.21608/maut.2025.448035
HARVARD
Barakat, B. (2025). 'Postmodern Intersections: Exploring AI Interdisciplinarity in Contemporary Digital Art', Journal of Arts & Applied Sciences (JAAS), 12(3), pp. 35-51. doi: 10.21608/maut.2025.448035
VANCOUVER
Barakat, B. Postmodern Intersections: Exploring AI Interdisciplinarity in Contemporary Digital Art. Journal of Arts & Applied Sciences (JAAS), 2025; 12(3): 35-51. doi: 10.21608/maut.2025.448035